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Ink Art Past as Present in Contemporary China The ~ Ink Art examines the creative output of a selection of Chinese artists from the 1980s to the present who have fundamentally altered inherited Chinese tradition while maintaining an underlying identification with the expressive language of the cultures past

Ink Art Past as Present in Contemporary China Maxwell K ~ Ink Art Past as Present in Contemporary China Maxwell K Hearn Wu Hung on FREE shipping on qualifying offers An illuminating investigation into how contemporary Chinese artists have reinterpreted past traditions to forge new artistic paths The Chinese tradition of “ink art” stretches far beyond works in ink

Ink Art Past as Present in Contemporary China ~ Ink Art Past as Present in Contemporary China is published in conjunction with the first exhibition at The Metropolitan Museum of Art devoted solely to the contemporary art of China A unique feature of this landmark event is how it positions contemporary art from a nonWestern culture within an encyclopedic art museum displayed in the Museum’s permanent galleries for Chinese painting and

Ink Art Past as Present in Contemporary China ~ Ink Art Past as Present in Contemporary China In the mid1980s and 90s as China distanced itself from the policies of Mao Zedong and his successors became more willing to engage with the outside world Chinese contemporary art began to appear with increasing frequency in important international exhibitions

Ink Art Past and Present in Contemporary China Arts ~ Two largescale pieces hang in the hall of the Ancient Buddhist Art collection “Crying Landscape” Yang Jechang 2002 and “30 Letters to Qiu Jiawa” Qiu Zhijie 2000 setting forth the tone of a journey to discover the links between past and present in contemporary Chinese art Ink has been for more than two millennia the principal medium of painting and calligraphy in China but like everything else nowadays in the Middle Kingdom the tradition is undergoing a rapid transformation

Ink Art Past as Present in Contemporary China ~ In his words “the past is present in Chinese art” Following Hearn’s introduction is an essay by Wu Hung on experimental ink painting of recent decades and the critical debates surrounding it in China

Ink Art Past as Present in Contemporary China The ~ Gu Wenda Mythos of Lost Dynasties Series—Negative and Positive Characters 遗失的王朝系列—正反的字 19841985 Ink Art Past as Present in Contemporary China The Metropolitan Museum of Art New York

Ink Art Past as Present in Contemporary China at the ~ “Ink Art Past as Present in Contemporary China” a landmark exhibition at the Metropolitan Museum of Art in New York brings together some 70 works created by Chinese artists in the past 30

“Ink Art Past as Present in Contemporary China ~ Such thoughts came to mind while visiting “Ink Art Past as Present in Contemporary China” the Met’s first foray into contemporary Chinese art Granted a casual afternoon spent trawling thisorthat art neighborhood will prompt sim ilar puzzlements