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Date : 2014-03-18
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Converging Lines Eva Hesse and Sol LeWitt Cleveland ~ Converging Lines Eva Hesse and Sol LeWitt is organized by the Blanton Museum of Art and made possible by the Henry Luce Foundation Lannan Foundation Agnes Gund Jeanne and Michael Klein and the Dedalus Foundation The Cleveland Museum of Art is funded in part by residents of Cuyahoga County through a public grant from Cuyahoga Arts Culture
Converging Lines Eva Hesse and Sol LeWitt Veronica ~ Eva Hesse and Sol LeWitt formed a close friendship between the late 1950s and Hesse’s death in 1970 Converging Lines celebrates this friendship and offers an illuminating look at their closeknit New York circle Whereas previous scholarship has examined LeWitt’s impact on Hesse this is the first publication to demonstrate that the artists influenced each other’s art and lives in reciprocal and profound ways
Converging Lines Eva Hesse and Sol LeWitt Austins ~ Converging Lines Eva Hesse and Sol LeWitt on view at the Blanton Museum of Art February 23–May 18 2014 celebrates the close friendship between two of the most significant American artists of the postwar era Eva Hesse 1936–1970 and Sol LeWitt 1928–2007Organized by Veronica Roberts the Blanton’s curator of modern and contemporary art the exhibition will feature approximately
Converging Lines Eva Hesse and Sol LeWitt – The Brooklyn Rail ~ It was in 1960s New York that Eva Hesse and Sol LeWitt became friends and went on to become two of the most influential artists of the century The corresponding influence that their aesthetics had on each other’s work is chronicled in Converging Lines Eva Hesse and Sol LeWitt Published as a catalogue for the current exhibition at the Blanton Museum in Austin the book features essays by the exhibit’s curator and the catalogue’s editor Veronica Roberts and critics Lucy Lippard and
Converging Lines Eva Hesse and Sol LeWitt by Veronica ~ Converging Lines Eva Hesse and Sol LeWitt by Veronica Roberts on InCollect Such is the case with Converging Lines LeWitt’s Wall Drawing 46 Fig 1 inspired the idea for this exhibition While in Paris in May 1970 LeWitt conceived the wall drawing as a tribute to Hesse in response to learning that she had passed away from a brain
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Converging Lines Yale University Press ~ Eva Hesse and Sol LeWitt formed a close friendship between the late 1950s and Hesse’s death in 1970 Converging Lines celebrates this friendship and offers an illuminating look at their closeknit New York circle Whereas previous scholarship has examined LeWitt’s impact on Hesse this is the first publication to demonstrate that the artists influenced each other’s art and lives in reciprocal and profound ways
Converging Lines Eva Hesse and Sol LeWitt ~ Converging Lines reinforces the visual connections between Hesse and LeWitt through text In yet another instance of gift giving LeWitt’s Drawing Series I3241AB 1968 an important early work that gave rise to his wall drawings bears the inscription “For Eva” in its lower lefthand corner
For Eva For Sol Converging Lines at The Blanton Museum ~ Converging Lines Eva Hesse and Sol LeWitt is Veronica Roberts’s first major exhibition at the Blanton since joining on as Curator of Modern and Contemporary Art in February of last year It’s a strong start that allows her to draw upon over a decade of experience––Roberts served as special projects coordinator for the 2000 LeWitt retrospective at the Whitney Museum and then as director of research for the LeWitt Wall Drawing Catalogue Raisonné––and it serves Austin well in
The Sinuous Lines of Influence Between Eva Hesse and Sol ~ Installation view ‘Converging Lines Eva Hesse and Sol LeWitt’ at the Cleveland Museum of Art click to enlarge In the first room of the show we see Hesse and LeWitt working on parallel
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