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Date : 2011-07-18
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Rembrandt and the Face of Jesus Mark S Tucker Lloyd ~ Rembrandt and the Face of Jesus is a marvelously intriguing study of how one of the greatest painters of the Dutch Golden Age revolutionized an aspect of art history dating to antiquity
Head of Christ Rembrandt Wikipedia ~ The Head of Christ is a 1648 painting by the Dutch artist Rembrandt It is now in the Gemäldegalerie in Berlin
Rembrandt the Face of Jesus Gene Veith ~ Rembrandt and the Face of Jesus passes those values down to us Rembrandt loved the story of Jesus at Emmaus for its depiction of Christ as teacher opening the eyes of His disciples to the truth of his being and his continued connection to them
Rembrandts faces of Jesus The Christian Century ~ Two faces fascinated Rembrandt van Rijn 1606–1669 over the course of his long and singular career—his own face and the face of Jesus More than 90 selfportraits spanning almost the entire length of the artists career are a visual memoir that is as searching and comprehensive in its own way as Augustines Confessions
‘Rembrandt and the Face of Jesus’ at Philadelphia Museum ~ “Rembrandt and the Face of Jesus” brings together six small panels that Rembrandt or someone closely associated with him painted from 1648 to 1656 all of which seem to depict the same young man a thoughtful kindly poetic figure with thick dark hair parted in the middle a scraggly student’s beard and soulful eyes
Rembrandt and the Face of Jesus Art Gallery of Ontario ~ Rembrandt’s break from tradition which was based on miraculous images of great authority likely began as a quest for an emotional realistic face of Jesus for finished works of art such as the 1648 Supper at Emmaus Louvre in which it first appears
How Rembrandt changed the face of Jesus Big Think ~ Rembrandt and the Face of Jesus passes those values down to us Rembrandt loved the story of Jesus at Emmaus for its depiction of Christ as teacher opening the eyes of His disciples to the
‘Rembrandt and the Face of Jesus’ in Philadelphia Review ~ Some of the facts surrounding them may be hazy but the heads of Christ in “Rembrandt and the Face of Jesus” at the Philadelphia Museum of Art amount to a gutsy makeover of the mostdepicted
Rembrandt The heads of Christ ~ For Rembrandt working from a Jewish model would have been a means of returning to a historical truth of portraying Jesus unadulterated as the Jew that he was—a form of realism scoffing at tradition
Philadelphia Museum of Art Exhibitions Rembrandt and ~ Rembrandt and the Face of Jesus August 3 2011 October 30 2011 Read the discussion Rembrandt van Rijn 1606–1669 is universally acclaimed as the greatest master painter of the Dutch Golden Age the 17thcentury efflorescence of art in the Netherlands
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